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OTR Newsletter

Vol. 2, No. 1 (Fall, 1995)

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OTR Conference Planned June 4-6. 1996

The second Old-Time Music and Radio Conference is planned for June 4-6, 1996, in Mt. Airy, North Carolina. Radio programmers, musicians, record company representatives, folklorists, members of arts organizations, and listeners from across the U.S. and Canada will participate in panel discussions, Town Hall meetings, and technical workshops aimed at increasing public access to traditional music through expanded broadcast opportunities. The Conference will also include a keynote address, musical performances, and a record release party.

The 1996 Conference will take place at Mt. Airy's historic Andy Griffith Playhouse, and will precede the 24th annual Mt. Airy Fiddlers Convention. (The Fiddlers Convention will take place June 7-8 at nearby Veteran's Park in Mt. Airy). The Conference is cosponsored by OTR and the Surry Arts Council of Mt. Airy, with funding assistance from the North Carolina Arts Council.

Keynote Speaker: Alan Jabbour

Highlights of the Old-Time Music and Radio Conference will include a keynote address by Alan Jabbour, director of the American Folklife Center of the Library of Congress. Mr. Jabbour is a noted folklorist and researcher, and a fine old-time fiddler in his own right. In addition to his keynote address, Jabbour will also participate in the Archival Issues panel discussion.

Technical Workshops

Radio professional Paul Brown of WFDD Public Radio in Winston-Salem, North Carolina, will coordinate a full-day Radio Technical Workshop. He will provide insight and instruction on such topics as microphone selection and usage, in-studio live performance broadcasting, effective remote and field recording techniques, and a variety of other subjects. Paul's workshop was one of the most popular features of the 1994 Conference and has been expanded to five hours for 1996. (Paul is also a well-known musician, who plays with the Toast String Stretchers, and Benton Flippen and the Smokey Valley Boys.)

Peter Wernick, author of the book How To Make a Band Work, will coordinate a Musicians' Technical Workshop. Wernick will cover topics from his book including creating good promotional materials, how to attract important allies such as record companies and agents, the elements of a good stage show, and using radio and recordings to built audience support, among other topics. Wernick will also be available for a limited number of personal consultation sessions at the conference. The Musicians' Technical Workshop will also include a Round Table discussion with representatives of several traditional music recording labels. (Peter Wernick is the president of the International Bluegrass Music Association, plays banjo, and is a former member of the popular group, Hot Rize.)

Panel Discussions

Panel discussion topics How To Start an Old-Time Music Radio Program, and How toSustain Your Program/Managing Management will feature a cross-section of commercial, public, and community broadcasting professionals and volunteers, including both management and programming personnel. They will discuss the issues and challenges confronting both prospective and established traditional music radio programmers, and ways of addressing those challenges.

How To Get Your Music On the Air will be a discussion designed especially for musicians, record labels, and self-produced artists on the essential elements necessary in approaching radio stations for airplay or live performance opportunities.

High Tech Distribution Opportunities will discuss emerging opportunities for program producers and radio personnel to share programming through satellite, Internet, and cable distribution. Confirmed for this panel is Rik Kaplan, distribution specialist for National Public Radio.

Radio and Ethnic Communities will look at ways in which supporters of other styles of traditional music have used radio successfully to maintain their cultural identity and expand public awareness during recent years. Panelists will play recorded examples and draw parallels with today's old-time music scene. Among the panelists will be Henry Sapoznik, who has done extensive research into Jewish and Yiddish radio in New York.

Archival Issues is an opportunity for conference participants to learn more about two important repositories of recorded materials, the American Folklife Center of the Library of Congress, and the Southern Folklife Collection at the University of North Carolina, Chapel Hill. Directors Alan Jabbour and Steve Green will address topics ranging from institutional support to public access and copyright concerns. In addition, author Allen Lowe will introduce his research into digital restoration of archival materials.

Radio Programmers Showcase and Critique session will be a chance for individual programmers to play short examples of their radio programs for the entire conference. Registrants will have the opportunity to submit airchecks for review in advance, and those selected will be featured during this unique group session. Participants will have the chance to comment or critique each program.

Evening Activities

Evening activities during the conference will include an opening Town Hall Meeting, Tuesday night, when conference attendees and organizers will gather to share thoughts and concerns about the future of old-time music. This unstructured session is designed to give all participants a chance to voice their thoughts about traditional music. Wednesday evening's program will feature the keynote address by Alan Jabbour, performances by top traditional musicians, and a special award. The host for the evening will be David Holt, nationally-known old-time musician and host of such television and radio shows as "Fire On the Mountain," "American Music Shop," and "Riverwalk." Thursday evening, after a final Town Hall discussion period and a barbeque supper, the Conference will host a record release party for the Rounder Records CD recording, Old-Time Music On The Air: Volume 2 (see following article).

Friday, the Conference will give way to the annual Mt. Airy Fiddlers Convention, one of the premier traditional music events in the country featuring contests, performances, and jam sessions throughout the weekend. For information about the Fiddlers Convention, contact Jack Jones at (910) 786-6830.

Registration Information

Registration for the Old-Time Music and Radio Conference is $90 for the full event, including group meals Tuesday, Wednesday, and Thursday evenings. A special one-day registration is available for Thursday only, including the Radio or Musicians' Technical Workshop for $50 A limited number of local scholarships will also be made available through the Surry Arts Council and the North Carolina Arts Council. (Contact OTR for more information.)

Registration forms and complete conference information will be mailed by OTR in early January to all those on the OTR mailing list. To be added to the OTR mailing list, send your name and address to OTR; P.O. Box 3014; Elkins, WV 26241.

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CD Slated for Release

Old-Time Music On The Air; Volume 2, a compilation of traditional music to be released by Rounder Records in the Spring of 1996, is well on its way to completion. Project coordinator, OTR steering committee member Susan Madden, reports that she and her volunteer committee reviewed over 100 tapes and CDs in preparing this collection, which will include tracks from approximately 24 artists.

Among those confirmed are: Sheila Kay Adams, the Rhythm Rats, Wade & Julia Mainer, the Bunkhouse Orchestra, Cliff Perry & Laurel Bliss, James Bryan & Carl Jones, the Bing Brothers Band, Critton Hollow, and Hank Bradley. This varied mix of contemporary old-time music includes a cross-section of both vocal and instrumental styles, and showcases the wide range of traditional music talent which can be found today across the U.S.

Old-Time Music On The Air; Volume 2 will be sent to radio stations and offered for sale in Spring, 1996, with an official release celebration planned as part of the Old-Time Music and Radio Conference in Mt. Airy, NC, June 4-6 (see preceding article, this issue).

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IBMA Releases Audience Profile

The International Bluegrass Music Association (IBMA) has recently expanded its efforts to find new broadcast outlets for bluegrass and traditional music. A new full-color brochure, entitled "The Bluegrass Music Advantage," was unveiled at the IBMA's annual trade show in Owensboro, KY, and contains a wealth of demographic information about the audience for bluegrass music. According to IBMA, the brochure is aimed at commercial country radio decision makers, and contains information from the U.S. Census Bureau's research on Arts Participation in America.

Although OTR's radio survey results are still being tabulated, it is clear that a large number of radio programs which feature old-time music also play bluegrass. This suggests a correlation between the success of bluegrass radio and broadcast opportunities for old-time music.

For more information on the IBMA or to obtain a free sample copy of "The Bluegrass Music Advantage," contact the IBMA at 207 East Second Street, Owensboro, KY 42303 USA; phone (502) 684-9025

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Arhoolie Offers Media Service

Arhoolie Records, boasting "Down Home Music Since 1960, " is offering a media subscription service to radio programmers, publications, and others. For $50 per year ($75 per year outside the U.S.) Arhoolie guarantees shipment of all new CD or cassette releases, a minimum of twenty recording a year. In addition, Arhoolie is making back catalog CDs and cassettes available to media for $3 each, with a limited number of LPs also available. Arhoolie is best known for its eclectic catalog of traditional music including old-time, blues, Tejano, Cajun, razz, and World Music titles. Some current releases are:

  • Maddox Brothers & Rose - America's Most Colorful Hillbilly Band: Vol. 2
  • California Cujun Orchestra -Nonc Adam Two-Step
  • Elder Roma Wilson - This Train Is a Clean Train
  • Mississippi Fred McDowell - This Ain't No Rock & Roll
  • Blind James Campbell - And His Nashville Street Band
  • Various Artists - Masters of the Folk Violin
  • Various Artists - Chulas Fronteras & Del Mero Corazon soundtracks

For further information, contact Arhoolie Productions, Inc., 10341 San Pablo Avenue, El Cerrito, CA 94530; phone (510) 525-7471.

(Many radio stations enjoy free service from certain record labels, but are frustrated with their attempts to stay current on new releases from other companies. On the other hand, record labels struggle with rising costs and the admittedly limited sales potential of traditional music recordings. This media subscription service from Arhoolie is, then, a creative compromise. OTR welcomes news from other labels on their media service policies. (ed.)]

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Folk Alliance Conference Planned

The 8th Annual Folk Alliance Conference is planned February 15-18, 1996, at the Renaissance Washington DC Hotel in Washington, D.C. The theme of the 1996 conference is Expanding Alliances -- A Capital Idea. Conference organizers hope that this conference and its theme will motivate the folk music community to build their own cultural and political awareness, and to educate non-governmental and governmental organizations, the music industry, and the media about the value of folk music and dance.

Nearly 40 Topical and How-To Panels and Workshops are scheduled, including several which specifically concern traditional music or lore. Some of these include "Teaching the Folk Arts," "Oral History: John Jackson," "How To Present Traditional Music," and many others. There will also be a special OTR Focus Group session during the conference, as well as Traditional Music and Broadcast Media Peer Group sessions. Late night activities will include a privately sponsored traditional music showcase.

For registration information, contact the Folk Alliance, 1001 Connecticut Avenue NW #501; Washington, D.C. 20036; phone (202) 835- 3655; FAX (202) 835-3656; .

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Public Funding Update

As discussed at length in the Spring, 1995, issue of the OTR Newsletter, public funding for the arts, including public radio and television broadcasting, has come under harsh scrutiny by the 104th U.S. Congress. This situation continues to be serious for public and community radio stations as well as for the artists and listeners who have come to rely on these stations as essential communications links.

The floor fight will continue in both Houses of Congress for the foreseeable future. A legislative amendment to abolish, or "zero-out," the Corporation for Public Broadcasting (CPB) was recently defeated in the House of Representatives, but specific appropriation and authorization legislation beyond FY 1996 remain in question. According to Community Radio News, the newsletter of the National Federation of Community Broadcasters, the CPB appropriation for FY 1996 has been secured at $275 million. The FY 1997 appropriation now stands at $260 million. The CPB has also undergone a significant reorganization.

In other areas, the National Heritage Fellowships were reinstated after a close call with budget-cutters; likewise the American Folklife Center of the Library of Congress, thanks to an intensive lobbying campaign. Funding for the National Endowment for the Arts (NEA) has been cut by 39% for FY 1996, with the NEA's long-term future still unclear. The NEA has also undergone restructuring.

OTR recommends that those who support public funding for the arts continue to press the issue with their elected representatives.

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Community Microphone Letters to OTR

"We understand that station KUOW, our local (Seattle, WA) National Public Radio Station, has cancelled Sandy Bradley's 'Potluck' show for the 1995-1996 season. Calls to the station are referred to a recording which credits KUOW alone for all eleven years of the show, thanks the program's volunteer workers and live audiences, and pointedly fails to mention the creator and moving spirit of the program, Sandy Bradley herself.

That ends any sort of locally produced live music programming on the station, abandoning us to so-called news and information, the station's euphemism for talk radio and prepackaged shows centrally controlled from Washington, D.C.

In doing so, they have knocked the public out of public radio, as far as creativity goes. It is easily observed that there is no diversity in format or editorial opinion of this remotely controlled medium. Management elites in the station rigidly control programming content, leaving the public playing a passive role of listeners and bill payers only. This is a perversion of the mission of public radio, which was to encourage broadcasting of points of view and artistic productions unavailable on the commercial networks. If KUOW cannot improve its position, beyond its attempt to become part of yet another slick network, it is time to find new management which will restore some diversity of opinion and, yes, music to public radio."

Hank Bradley, Seattle, WA

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